Showing posts with label Greg Capullo. Show all posts
Showing posts with label Greg Capullo. Show all posts

Friday, December 16, 2016

Friday Slice of Heaven, Slice into the Woods 12/16/2016

Welcome back, Donist World Denizens! For those of you new to our site, I’m Donist, and I am joined by Donist World CFO the Reverse Obie* (my friends’ Boston terrier whose fur recently swapped colors) and by our marketing director / administrative assistant / party planner / sleep expert Tulip (my dog, Reverse Obie’s sister). We’re keeping the intro short this week as it is already rather late, and my puppy executive team and I need to grab some shut-eye. I don’t know what the deal is, but as great as we are at maintaining our status as a Fortune 320,000 company, we suck at sleeping soundly. Well, okay, Tulip and Reverse Obie sleep just fine, I’m the one with difficulties sleeping; it might have something from being puppy kicked by Tulip throughout the night. Anyhow, we’re hitting the Casper mattress and attempting to get something that resembles real sleep. <yawn> So, once you wake up, get some exercise, pour yourself a coffee, drink plenty of water, and check out some great comics. Take care. Thank you for reading!

*Obie, through his dabbling in arcane magics mixed with ancient corrupt business practices, has had not just the colors of his fur switched, but a complete overhaul of his work ethic as well…I think I’m kinda okay with the mishap.

***Possible Spoilers Below***

Friday Slice of Heaven



Descender #17


Written by Jeff Lemire, illustrated by Dustin Nguyen, lettered and designed by Steve Wands, copy edits by Brendan Wright, published by Image Comics. It’s only been two months since my favorite comic on the stands went on a brief hiatus, but dang did the wait seem so much longer…painful even. If you remember, the third arc of the series primarily spotlighted the past of a different character for each issue (Bandit, TIM-22, Driller, Telsa, Andy and Queen Between); meanwhile, the main story gradually moved forward. Now, as we kick off the fourth arc, we are thrust back into the thick of things with three of the storylines propelling the story ahead. Where the last chapter was slow, deliberate — yet compelling as heck — this one moves quickly to bring a resolution  to the cliffhanger from way back in issue 12. Lemire’s story does not disappoint, and, of course, neither does Nguyen’s lush art. Each individual panel is lovely, but when you consider how effectively Nguyen carries emotion and drama, action and storytelling it is staggering to realize he accomplishes it all with watercolors…one of the most difficult styles to master. <whew> What’s been my favorite comic on the stands for all of 2016 continues to be my favorite comic on the stands, and for very good reason. If you want a beautifully told and presented sci-fi tale with heart, thrills, and chills, then look no further than the incredible Descender. You can pick up the first three trades today, which I strongly suggest you do. VERY HIGHLY RECOMMENDED!


Wonder Woman #12


Written by Greg Rucka, illustrated by Nicola Scott, colored Romulo Fajardo Jr., lettered by Jodi Wynne, published by DC Comics. I have to say, Denizens, that although I am really enjoying Wonder Woman’s present-day adventures, I am loving the “Year One” glimpse into her past even more. Rucka’s portrayal of Diana as the stranger-in-a-strange-land continues to charm me as she attempts to learn the language while experiencing the good and the bad of our society. The moments with Steve Trevor as the pair fall in love are touching especially when Diana opens up about a past love from Themyscira. But the honest emotional moments aren’t just restricted to the two main characters; the opening sequence between Lieutenant Candy and Dr. Minerva is simply delightful. Dialogue and scripted moments stand up perfectly on their own, but when you add Scott’s gorgeous art…it’s impossible not to fall in love with this book. To see Diana and Trevor smile — especially on one of the best double-page spreads to date — it’s impossible not to smile yourself. Fajardo Jr.’s vibrant colors bring life and positivity to a comic book landscape that leans all too often toward the dark and gritty. Writing. Art. Colors. It’s all solid. If you’ve been wanting to dive into the world of Wonder Woman, this series is exactly what you’ve been waiting for. The first trade of Diana’s present day adventures looks to arrive come February 2017. VERY HIGHLY RECOMMENDED!


Reborn #3


Written by Mark Millar, pencilled by Greg Capullo, inked by Jonathan Glapion, colored by FCO Plascencia, lettered and designed by Nate Piekos of Blambot, edited by Rachael Fulton, published by Image Comics. Alrighty, this one’s gonna be a toughie to review without giving away too much of the premise revealed back in the first issue, but I’ll do what I can not to spoil much. Anyhow…Reborn’s name alone should shed some light on what to expect, and given the cover to this issue, I can safely say that a reunited father and daughter embark on some crazy adventures filled with monsters and swords and sorcery and lasers and beings with superhuman abilities. Basically you’re getting a whole mess of genres in one story, which in less capable hands would be a no-no. Coming from Millar and Capullo, however, you can rest assured that all’s gonna be just fine. Like I mention above, this is an action-packed, stress ball of an issue, with creepy-as-heck bad guys to boot. Capullo’s art shines and Plascencia’s colors round the experience out with the occasional flash of hue bringing light even to the Dark Lands. I will say that Roy Boy better be okay, and that whenever a shadowy figure opens his cloak and tells you to jump inside that you do not do it! Reborn is turning out to be a heck of a lot of fun. At only three issues in, you should be able to catch up lickety split. HIGHLY RECOMMENDED!


Slice into the Woods


Donald Trump’s Continued Strides to Ruin America

Yeah, I know I’ve been hating on this orange buffoon for a while, but I’ve despised everything this small-handed tyrant has stood for going on two decades now. Unlike a fine wine, Drumpf only manages to worsen with age. I sincerely hope the Electors right this bizarre and possibly stolen election. For the sake of not forgetting what this lying criminal has been up to, here’s a small reminder of Trump’s current misdeeds (I have to stay with current events, because he’s committed far too many wrongs over the years to recount here):

  • Settled Trump University fraud lawsuit for $25,000,000.
  • Many, many, MANY business conflicts of interest.
  • Russian hacking in our election in favor of Trump. Unconfirmed if he’s directly involved.
  • Loads and loads of debt. Namely Deutsche Bank…not good.
  • He lies more than he speaks the truth.
  • His VP, Mike Pence, believes in the debunked gay conversion therapy.
  • His list of cabinet picks reads like a “Best of” of supervillains. Millionaires and billionaires who look to dismantle labor laws, public schools, social security, the Environmental Protection Agency, all to better serve the interests of those with extreme wealth. Some picks have / had ties to Putin, others are straight-up racists, a few are conspiracy theory loons.
  • And so on and so on and so on and so on…

Ugh. Our country could use some good news, namely that neither this narcissistic sociopath, nor his coterie of cretins ever comes to power in our country.



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Friday, November 18, 2016

Friday Slice of Heaven, Slice into the Woods 11/18/2016

Welcome back, Donist World Denizens! For those of you new to our site, I’m Donist, and I am joined by Donist World CFO the Reverse Obie* (my friends’ Boston terrier whose fur recently swapped colors) and by our marketing director / administrative assistant / party planner / chief officer of equality for all Tulip (my dog, Reverse Obie’s sister). We’re trying to stay positive in light of the grand mistake our country made by electing (electoral only) an entitled, orange, sociopath to be our next President. Yeah…that happened. <sigh> Anyhow, looks like not only do we have to fight to maintain our Fortune 320,000 status, but we’re also going to have to prepare to fight for the rights of the non-bigoted, our climate, our economy, free speech, and general decency as well. Again…<sigh>. So, pour yourself a pumpkin drink, or a Stone Brewing Xocoveza (or a coffee, if beer ain’t your thang), go see Doctor Strange (it’s really good!), read some great comics, and most all be ready to fight through what looks to be some dark times ahead. Take care. Thank you for reading!

*Obie, through his dabbling in arcane magics mixed with ancient corrupt business practices, has had not just the colors of his fur switched, but a complete overhaul of his work ethic as well…I think I’m kinda okay with the mishap.

***Possible Spoilers Below***

Friday Slice of Heaven


Reborn #2

Written by Mark Millar, illustrated by Greg Capullo, inked by Jonathan Glapion, colored by FCO Placencia, lettered and designed by Nate Piekos of Blambot, edited by Rachael Fulton, published by Image Comic. Oh whoa is me, Denizens. I didn’t talk about the first issue of Millar’s fantastic new series Reborn. Well, consider everything I say here about issue two to equally apply to the premier, both of which you need to rush out and get ASAP. Millar and Capullo tap into the universal mystery of what happens after death, giving us a spectacular sci-fantasy world inhabited by characters I immediately like. At times touching, at others uneasy, Reborn does what all good comics should: it leaves you thinking about it for days afterward; the smile on your face is an added bonus. The story alone is strong, but with Capullo’s masterful storytelling and his fantastic creatures, costumes, and character acting combined with Placencia’s vibrant colors the world of Adystria comes to glorious life. If you’re a fan of Empress or of the Donist World Darling Starlight, then Reborn will leave you thinking you’ve died and gone to Adystria. VERY HIGHLY RECOMMENDED!


Thanos #1

Written by Jeff Lemire, illustrated by Mike Deodato, colored by Frank Martin, lettered by VC’s Clayton Cowles, published by Marvel Comics. Okay, if you’ve been reading Donist World for any length of time, then you know my love for Thanos (and Adam Warlock!) runs deep; especially if my man Jim Starlin is at the helm. In fact, it’s sure to be an uphill battle to convince me that anyone other than my favorite cosmic creator can do justice to this particular character. But then Marvel had to go and put Lemire on the book. As you well know, Lemire is the writer of my current favorite comic hitting the stands, Descender, so there was no way I could pass up giving this book a read…I’m glad I did. If you read Jonathan Hickman’s Infinity — a dang fine Thanos book in its own right — then you are aware of who Corvus Glaive is and why his sitting upon the throne of the Black Order is a problem for Thanos. Alas poor Corvus Glaive, we knew him…sorta. We also see what Thanos’s brother, Starfox, has been up to (risque!), and The Champion and Thane make an appearance before a shocker leaves us desperate for the next installment. Deodato’s linework and storytelling are solid, but it’s his use of half-tone dots and crosshatching during the “inking” process that make the visuals of this comic simply stunning. Martin’s colors bring an otherworldly look to the art that is perfectly fitting to the dark and dire nature of the story. If this first issue is any indication of what is to come, then the creators look to give us a grand cosmic tale worth checking out. I will definitely be continuing with this comic…at least until it starts getting mired by marketing events and nonsensical crossovers. HIGHLY RECOMMENDED!


Kill or be Killed #4

Written by Ed Brubaker, illustrated by Sean Phillips, colored by Elizabeth Breitweiser, editorial supervision by Eric Stephenson, published by Image Comics. The first chapter comes to its conclusion as Dylan descends further into his new persona as a vigilante, but Brubaker and Phillips are not going to make the transition easy on him. Like many of the creators’ past great projects (such as Criminal and The Fade Out…both must-read comics) Kill or be Killed’s characters are not exactly good people. They are deeply flawed, damaged individuals on paths of self-destruction, but as uncomfortable as watching these characters might be, it’s all but impossible to turn away. The writing and characterization are compelling, the artist’s storytelling flawless, and when the series returns — probably early 2017 — I will be there wincing with each eager page turn as Dylan’s life continues to crumble around him. This is a heck of a good start to Brubaker and Phillips’s latest noir / crime series. HIGHLY RECOMMENDED!


Slice into the Woods


Leonard Cohen

I was so dismayed by the election (electoral only) of Donald “Drumpf” Trump to be our next President, that I failed to mention the death of the great singer / songwriter / poet Leonard Cohen. If you haven’t heard of him before, then do yourself a favor and check out his many fantastic albums, or start with this compilation that although great, fails to include much of his important later work such as songs from the beautiful album released this past October. Let’s face it, Denizens, it’s already been a shitty year because of the loss of many creative greats, and the loss of Cohen only makes 2016 that much worse. RIP.


America Totally Failed America Last Week


Yeah, not letting this go. Our country chose a racist, sexist, sociopath to be our next leader, and he is currently building a team of equally psychotic and power-mad elites to help him not make America great, but rather make it truly awful. I really want to be wrong about this, but I kinda doubt that I am. For those who helped put this monster in power (Trump supporters, Trump voters, non-voters, and even the third-party protest voters) please remember that as your standard of living diminishes, and the world becomes a scarier place, that this is what you said you wanted. Such a shame.


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Friday, July 25, 2014

Friday Slice of Heaven, Slice Into the Woods 7/25/2014

(Unfortunately, there are no musical guests this week, but at least we have somethin’ below)

*beedeep, bedeep, bedoop, doop, beep!* This is Donist reporting late Friday night from the depths of the smoldering wild North. I am on location with Tulip (my Boston terrier) our marketing director / administrative assistant / party planner / climate accepter and intern Amy (my wife). We have spent the past couple days completely cut off from the outside world: no cell phone service, and no wireless, but we are now back up and running. Obie, our CFO (Tulip’s sister, my friends’s Boston terrier), attempted to parachute in external connectivity devices along with a healthy dose of comic books and almond croissants, but to no avail. Thankfully, we were able to procure said croissants and we managed to pick up our comics before departure, but ,alas, connectivity was not achieved, and thus we have today’s very, very brief post; we do not want to break our long-running streak of FSoH/SitW. So, now that we are no longer traveling and I finally have a chance to breathe, it’s…

Friday Slice of Heaven (Minimus Style)

***Possible Spoilers Below***

Saga #21 - Written by Brian K. Vaughan, illustrated by Fiona Staples, lettered and designed by Fonografiks, published by Image Comics. I like Saga. I like it a lot. We all know this. But what about this month’s offering? Yup, I still like it.

In this issue: Alana continues along her path; Marko and Girl-Bat chat; Friendo represents like a freakin’ boss (FRIENDO!); Prince Robot “returns.” And some other crazy, sexy-time stuff happens.

This issue is like a cement roller version of a train wreck slowly unfolding. It is painful to watch these characters who we have learned to love and who we so desperately want to succeed, yet they go about making decisions that are going to spell  big T-R-O-U-B-L-E down the road…and there’s nothing we can do about it. The thing is, Vaughan so perfectly sets up these situations for Alana and Marko, that their actions kind of make sense…it’s all rather complicated. Staples’s art is gorgeous as always, with Friendo and Girl-Bat being thoroughly adorable for very different reasons. Saga is a phenomenal book that I hope will continue forever and ever. VERY HIGHLY RECOMMENDED!


Afterlife With Archie #6 - Written by Roberto Aguirre-Sacasa, illustrated by Francesco Francavilla, lettered by Jack Morelli, published by Archie Comic Publications. Up until a few years ago, I had never really paid attention to anything from Archie Comics. Bad move on my part. Not even factoring in this must-own series, I am now an admirer of the old stuff as well as the new, like the dang-fine Archie: The Married Life. 

Afterlife With Archie is something all comic lovers should give a try. Not just because of Aguirre-Sacasa’s engaging and honestly scary story, or Francavilla’s gorgeous art and perfectly moody colors (I am REALLY bummed I am not at SDCC to get his Star Lord print <sniffle>), but because of the power of their combined efforts on this beautiful, yet creepy, book. This month, we get to see what Sabrina the Teenage Witch has been up to, and it is sure to send shivers down your spine. Thankfully, you can buy the first five issues in trade and pick up this newly released issue to get caught up right-quick on this Donist World darling. VERY HIGHLY RECOMMENDED!


Batman #33 -  Written by Scott Snyder, illustrated by Greg Capullo, inked by Danny Miki, colors by FCO Plasencia, lettered by Dezi Sienti, published by DC Comics. This is it, Zero Year concludes its long run, and with Bats finally having to facedown the mad villainy of the Riddler, will he be able to save Gotham from pending doom?! Well duh, silly, of course he will, this is Zero Year; it takes place in the past. But this story is about how he takes down the menace. The writing and dialogue are great, Capullo’s art is absolutely beautiful in its storytelling, drama, and character design, and if you have not been reading this “maxi-series,” then I suggest you get caught up when the trade is eventually released. HIGHLY RECOMMENDED!


Trees #3 - Written by Warren Ellis, illustrated by Jason Howard, lettered by Fonografiks, published by Image Comics. Okay, I’m not totally certain what is going on now with this story, but we follow one woman who wants to disappear, and another who wants an artist to leave his room. As for the “trees” themselves? I think there is only a single panel showing a portion of one, but dang if I am still not enjoying this look at how different people in different parts of the world deal with the an alien invasion that did so very little. It’s still early for this sci-fi, cultural anthropology study of the human race. Fantastic art from Howard. RECOMMENDED!


Supreme Blue Rose #1 - Written by Warren Ellis, illustrated by Tula Lotay, colored by John Roshell, lettered by Richard Starkings, published by Image Comics. At Donist World, we’re all about the honesty, so I’m going to be honest and say that I am not completely certain what I just read, or what this book is about. You see, I’m freakin’ exhausted and sweating like a cow from the heat, and things have been hectic. BUT...I can tell you that I enjoyed the writing, and that although I am new to Lotay’s art, it is something I desperately need to see more of. I will reread this beautiful comic once I have a chance to properly take it all in…hopefully tomorrow. I can tell you it is a safe buy and that it is at least RECOMMENDED!

Slice Into the Woods

No Time Like the…Well, No Time - Sorry for the brief post, denizens, but between school wrapping up, our home being worked on, traveling, and a funeral set for tomorrow…hey, at least I got something out. Right?

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Friday, April 18, 2014

Friday Slice of Heaven, Slice Into the Woods 4/18/2014

(Sung to the tune of Husker Du’s “Ever Fallen In Love With Someone”)

Got burned on my comic book pull list
A month gone, I must assert
That I’m sad
Missed The Sixth Gun I was pissed
Undertow, too, but now they’re here
Now I’m glad

Oh man, have you ever read Batman?
I say, have you ever read?
Have you read Batman?
I say, have you ever read?
Have you read Batman?
You really must pick up a copy


Welcome to Donist World! I'm joined as ever by Donist World CFO Obie (my friends' Boston terrier) and by our marketing director/administrative assistant/party planner/convention optimization specialist Tulip (my dog, Obie’s sister). <pssst> Come over here for a second, denizens, where the dogs won't be able to hear. This week Amy the Donist World intern—aka my wife—and I are off to Wondercon, but there is a slight problem. Obie and Tulip know about the convention, and they are under the assumption that they are going with us. Oops. Why do I think this? Well, Tulip is currently dressed as Jake the Dog from Adventure Time, and Obie is dressed as…actually, I have no idea what Obie is supposed to be. He’s wearing what looks to be a shoebox that has been painted silver with two strips of black tape going lengthwise down the top. I think he’s supposed to be a toaster. If that is the case, then it is a brilliant inside joke on the Battlestar Galactica cylons. If not, then he is actually a toaster, which leads me to think that all of those business-based, self-help seminars he has been attending to solidify our standing as a Fortune 320,000 company has not only turned him into a toaster, but a corporate robot. Anyhow, they're going to be miffed once they realize that dogs are not allowed in the convention center, and that Amy and I have snuck out of the house to attend Wondercon. Oh boy, we’ll just have to deal with the fallout when we get back. In the meantime…

Friday Slice of Heaven

***Possible Spoilers Below***


The Sixth Gun #39
The Sixth Gun #39 - Written by Cullen Bunn, Illustrated by Brian Hurtt, colored by Bill Crabtree, lettered by Crank!, designed by Keith Wood, edited by Charlie Chu, published by Oni Press. I’m tempted to say good things come to those who wait, but that is not the case with this issue of The Sixth Gun. Instead, I will say that awesome things come to those who wait. I believe this issue came out a month ago, and I have been bummed out each and every week I was told my copy had still not arrived…well, let’s just say Tulip and Obie were also not pleased. As annoying as the delay was, after the insane action of this issue, I am thrilled I only need to wait a couple weeks for the concluding issue of the “Not the Bullet, But the Fall” storyline to arrive; that is unless my LCS gets mis-shipped again.
Griselda the Grey Witch’s minions continue their siege upon Drake Sinclair, Becky Montcrief, and their companions. The sad truth is that evil is winning. One hero fell, one turned against his friends, another was captured, while another was wounded. Now, Jesup holds one of the six mystical guns, and is in hot pursuit of the rest, and the situation is only going to get worse; it does. As the remnants of Drake’s crew battle Griselda’s snake men, a true hero buys his friends the chance they need to escape. Meanwhile, if the Knights of Solomon cannot find the Grey Witch, they at least know where she will eventually end up.
Mein Gott, denizens! I feel like I opened this issue and finished it seconds later. I’m not suggesting this issue is shorter than it should be, or that it is lacking in substance. Not at all. This issue was so exciting and well-paced that I could not put it down. Boy howdy was the action intense. I’m also now upset with the creators for taking away yet another great character who I loved, especially after that character whupped so much a$$ in this issue. Okay…I'm not really mad at the creators, for they took a relatively new character and had me groovin’ on him since his introduction a few issues ago. As for getting my hate on…man, do I hate the bad guy in this issue <grrrrr>; I hope he gets what’s coming to him.
Hurtt’s art is as great as ever, only when we get to the action scenes, something changes and the insanity that had me fervently whipping through the pages kicks in. One page in particular is stunning as the villain holds the hero by the neck, then tosses the hero, who then in the final panel lands on his feet as he slides to a standstill. Keep in mind that we are talking about static images and the strength of implied motion via Hurtt’s wonderful storytelling truly shines; it’s something to behold. Dang, denizens, I’m still kind of shaken by everything that went down in this issue, which is the sign of a great comic.
The Sixth Gun is fantastic and has been since issue one. As much as I don't want to see my favorite characters die, the need to see what happens next is so overwhelming that I cannot wait to get my hands on the next issue—it sure as heck better not be late. VERY HIGHLY RECOMMENDED!


Batman #30
Batman #30 - Written by Scott Snyder, illustrated by Greg Capullo, inked by Danny Miki, colored by FCO Plascencia, lettered by Steve Wands, published by DC Comics. Confession: I don't really remember what the heck happened to Batman after the last issue. Luckily, all I had to do was reach toward the towering mountain of “read” comics, sort through them all and find out that Batman had defeated Dr. Death (the gross bone guy), but that the Riddler had taken Gotham. The weather balloon was but a decoy that began to explode before being hit by lightning. After all of the exciting battlin’ last month, it’s no wonder I missed that little detail, but I'm glad I went back as things kick off with a bang.
Bruce Wayne has been unconscious for a while after the Riddler had played him like a fine-tuned piano. He awakens to the sight of a cockroach infested apartment—and the sight of what will be a future symbol in the bat family—hooked to an I.V., and talking to a kid about the new Gotham that the Riddler has created. The criminal mastermind has sealed off Gotham from the rest of the world, and promises to keep the city in lockdown unless someone can stump him with a riddle. No one has won. In fact, if the Riddler guesses correctly, then that person's life is forfeit; needless to say, there few takers for the diabolical game. Luckily, Batman is back and dressed in a manner we have not seen since issue 21.
I might have forgotten what had happened last issue—it’s been a crazy month—but I was easily able to get back on track and on board with a Gotham gone wild, the overgrown wasteland that was promised so long ago. We also get to see Batman without all of his nifty technology and gadgetry and a makeshift costume. As much as I enjoyed the ”Red Hood” story, this is the one I have been wanting to see. On the page six and seven double-page splash, we see Bruce drawing the blinds to reveal a dilapidated and overgrown Gotham, with one key untouched building: the one with the giant purple and green question mark brandished for all to see. Snyder does a great job of making it seem like the Batman has been away for a while through each of his interactions with the key players in this story. Towards the end of the book, we also see him reuniting with Jim Gordon and we are reminded of the wonderful role these two play in each others lives. This is just the beginning of whatever madness Snyder intends to unleash over the course of the year. I can’t wait.
Capullo's art is, of course, outstanding as the issue focuses predominantly on the drama of people existing in the Riddler’s Gotham held captive. Again, though, I have to return to that gorgeous double-page spread that is jaw dropping once Plascencia applies the colors.
So, Batman, continues to be one of the two DC proper books I continue to buy on a monthly basis—the other being Swamp Thingand is one that I greatly anticipate reading from issue to issue. With the second half of the ”Zero Year” storyline kicking off, I am more than excited to see how things all play out. If you aren’t already reading Snyder and Capullo’s Batman, then you have made a grievous error, but with this issue you can safely jump in and figure out what is going one; I also bet that you will go back and pick up all the issues/trades you’ve missed in between. HIGHLY RECOMMENDED!


Undertow #2
Undertow #2 - Written by Steve Orlando, illustrated by Artyom Trakhanov, lettered/designed by Thomas Mauer, published by Image Comics. This is the other title that shipped almost a month ago, and that I finally picked up this week. Looking on the bright side, that means I only have a week or so to wait until issue three…that is unless shipments go awry again. <pffftt> whatever. Anyhow, this is the book with the premise that makes me go I wish I thought of that, and it continues the fascinating journey of mer-people breaking from the norm to explore the deadly perils of land as they search for the ”amphibian,” an Atlantean who holds the secret to breathing air.
While the famed Anshargal and his team are away on their mission to find the amphibian, some of the crew of his ship have the stirrings of mutiny. Anshargal, on the other hand, is luckily unaware of the problems back aboard the ship, as his crew clash with a deadly sea locust. The encounter does not go well. As trouble brews back home, Anshargal’s problems have only begun as he and what remains of his crew prepare for a new encounter.
The second issue of Undertow is still a blast and reminds me of a colored version of the Warren Magazine tales of my youth…and what glorious colors they are. The pages in this issue are truly stunning to behold, and the jump from complementary to analogous to monochromatic color schemes depending on the mood of the scene, drives home just how striking the imagery can be. The story continues to be a fascinating journey into the mysteries of a world we are already familiar with, but from an entirely new point of view.
It will be interesting to see where Orlando and Trakhanov’s story goes and the good thing is that my wait to read the next issue will not be a long one. Undertow is a unique, pulpy, sci-fi story worth taking time to appreciate. Best to jump on now at this early stage. RECOMMENDED!


Green Lantern:
The Animated Series
Green Lantern: The Animated Series - Wow! Here I thought I would watch a couple episodes of this one—and regrettably only—season of this show, and the next thing I know I watched the entire 26 episodes over the course of two weeks. The show recently popped up on Netflix, and I'm not going to really get into it, but it is one of the best animated shows I have ever seen. Beautiful graphics, fantastic voice acting, a familiar yet different take on the Green Lantern story, and characters (old and new) who I instantly fell in love with. It is simply a phenomenal show. I am so irked that the powers that be struck down a second season because of the flop that was the Green Lantern movie—which I hated—and now we don’t get to see the next stage of the show, which probably would have gone into Black Lantern territory. Don't let the fact that this amazing show only received one season prevent you from checking it out, as I am convinced that once you watch the first two or three episodes, you will be drawn in until the end. Now I need to buy the blu-ray. VERY HIGHLY RECOMMENDED!

Slice Into the Woods

No Negativity This Week - We’re off to Wondercon, so let’s not be negative. Sure things have been crazy busy with my rapidly ending graphic design courses, so I'm looking forward to the mini vacation, and I expect to kick into my writing even more in the coming weeks. Look for some changes to Donist World coming soon. Take care.


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Friday, December 13, 2013

Friday Slice of Heaven, Slice Into the Woods 12/13/2013

(Sung to the tune of Dean Martin's version of "Let It Snow")

Oh the new Wednesday comics are delightful
With Batman villains who are so frightful
The Sixth Gun would make a great TV show
Way to go! Don't you know! Make it so!

Oh, Lazarus shows no signs of stopping
I'm scared of Family Carlyle plotting
Chew's Tony needs to stop feeling low
Way to go! Don't you know! Make it so!

When its time to say goodnight
Snuggle up with a comic to keep you warm
Satellite Sam is a book to make things right
It shines and it ain't superhero norm


<brrrrrr> Why h-h-hello there, Donist World denizens. I'm here, as ever, with Donist World CFO Obie (my friends' Boston terrier) and Donist World marketing director/administrative assistant/party planner/coldness-playa-hater Tulip (my Boston terrier, Obie's sister) and we are chillin'...literally. But don't worry about us here at my mom's basement the Donist World corporate offices in California. My notion of what is cold these days is nothing compared to what many of you are currently dealing with, but just know that the puppies are miserable. You see, Boston terriers apparently need the following conditions to prosper: a temperature that stays in the realm of 68 degrees and 73 degrees, a steady supply of comic books to read, extended nap times, a choice of many fine and delectable kibbles, and a pitcher of mojitos at their beck and call. All we got going right now is the comic book requirement until this dang space heater warms up (c'mon you stupid machine...work). To make matters worse, Donist World intern Amy (my wife) has decreed that we are not allowed to have mojitos before 5:00 PM anymore, and that hot coffee will go a long way to defrosting the executive team. That's fine. For now, the puppies and I will drink coffee and read comics while wrapped in my shocking-blue Snuggie...we're a close team after all. Ahhhhh, hold on a second while we do some market research on upgrading to a Slanket or going full on high class with a Donist World emblazoned Forever Lazy for each of us. So, grab somethin' warm to drink and have a look at this week's...


Friday Slice of Heaven


***Possible Spoilers Below***


The Sixth Gun #36
The Sixth Gun #36 - Written by Cullen Bunn, illustrated by Brian Hurtt, colored by Bill Crabtree, lettered by Crank!, designed by Keith Wood, edited by Charlie Chu, published by Oni Press. Well, pardner...I done been with The Sixth Gun since the beginnin'. Okay, maybe not since the beginnin' but thereabouts. Are you callin' me a liar! No? Well, okay then. Anyhow, The Sixth Gun done been one of my favorite funny books for a good while now. With the comin' of its inevitable end (14 issues more?) I might just shed a tear on that day, but the thing that haunts me is I can't wait for each issue to come along, which brings the end all the sooner. It's what folks 'round here refer to as a bit of a conundrum. Yup, best not to suffer the matter none. Hit me with another sarsaparilla with a dash of cherry, wouldja denizen? Gather round for the latest of the ol' timey West and don't say I didn't warn ya that it's a tad spooky.
Drake, Becky and crew are tired of being on the defense and look to take the fight to the evil Missy Hume where they will rain vengeance down upon her; they also want her mystical gun so they can set their own destiny. What they don't know is that Griselda the Grey Witch has taken her daughter-in-law's life and handed her gun to Drakes old nemesis, Jesup. As the group tracks down Missy Hume, some members start to get along, while others begin to feel neglected. What Becky and crew do not realize is that someone has come to visit them, and they bring a whole host of darkness in their wake.
After the tremendous action sequences of the previous issue, this new chapter does not feature a single unholstered gun and therein lies its strength. Bunn's character moments, narration, and dialogue are beyond fantastic in this issue as the pacing settles briefly to allow the characters to reconnect...or in the case of Nidawi, Nahuel, and Asher drift further apart. I especially love the exchange between Kirby and Becky as she begins--seemingly--to trust him enough to speak with him. Even better is the seven-panel page of Drake telling Becky what he will do to Kirby if the charismatic cowboy wrongs her again. The dialogue flows perfectly and inline with each character as they admit to how much they have changed over the course of series. Drake's protectiveness of Becky reassures their friendship, while also showing that a man and a woman can be friends without having to dance around any sort of Hollywoodesque romance; I hope their relationship remains platonic.
Pushing Bunn's stellar dialogue and character moments is Hurtt's wonderful character acting. With just one silent panel on the page where Becky and Kirby are walking through town, you clearly see in Kirby's eyes that he believes he is winning Becky over, while Becky's stare and slight smirk suggests that she is the one controlling the situation and she loves that feeling. In that one panel, you know exactly the type of relationship these two share. I also love the additional detail Hurtt gives to the character design in this issue now that they have all had a moment to clean up and make themselves presentable. Drake's double-breasted vest with the band around the chest and his trademark bowler hat are nifty defining details, and the newer character Nidawi's coat, tall boots and hat give her a very distinct and stylish look for someone who wears the shrunken head of a cognizant long-dead shamen around her neck. Add Crabtree's distinct colors and you have a book that's as gorgeous as it is well-told.
The Sixth Gun continues to be one of the best comic book series on the stand. I love it. To put things in perspective, I have even asked Santa Claus for the hardcover deluxe edition a couple of times--translation: I have been to most of the malls in Southern California to make it clear to all of Jolly Ol' Saint Nick's representatives that this 215-pound, 6' 2" tall man-child has indeed been a good boy by golly. If you or a loved one is interested in this amazing supernatural Western, then by all means start at the beginning, which you can do via trade paperbacks, through the Comixology digital offerings, or with the crown jewel that is the hardcover deluxe edition that just recently came out...and that I want oh-so badly! VERY HIGHLY RECOMMENDED!


Lazarus #5
Lazarus #5 - Written by Greg Rucka, illustrated and lettered by Michael Lark with assists by Brian Level, colored by Santi Arcas, published by Image Comics. Man, it sure has been a long wait for this issue, hasn't it? Come to think of it, no it hasn't been all that long, probably only two months as the creators took a well-deserved break before heading into the second arc. It only seemed like an eternity, because Lazarus is yet another incredible series from Image Comics. Heck, if I had my way this book would be released weekly...at least.
We flashback to young Forever Carlyle, the Lazarus, in training and trying to garner her "father's" approval; the exhibition does not go well. In the present, Forever's surfacing feelings take her on a detour from her routine duties to apologize to the daughter of the innocent man she had to kill. Leaving even more conflicted, Forever continues her mission of trying to track down her traitorous brother which leads her into a sticky situation with two more of the ruling families: Bittner and Hock. Meanwhile, in Montana, we are introduced to three people who are considered Waste and we experience what life is like under Family rule. Finally, Forever receives a mysterious message.
Yup, that was a painful wait. Lazarus continues to be one of the best comics being published, as well as one of the most terrifying. Rucka has tapped into a world that could quite possibly come to pass given the current environment of corporate manipulation of politics and laws, spying in the name of security, and science that trails closely behind science fiction. This world scares me, yet I dare not look away. Rucka takes us back to Forever's younger days to show us the level of emotional manipulation that has been exacted upon her for most of her life, and her father Malcolm's coldness is perfectly captured in the harsh speech he gives her; it's all rather disturbing. We then turn completely around as we meet our first Waste family, and Rucka has me sympathetic to their plight by the fourth panel, but let's face it, denizens, if ol' Donist existed in this world I would most likely be heading for higher ground right alongside Bobbi and Michael.
Lark's art continues to be grim yet beautiful with the beginning pages of the flashback clearly leaving no doubt that the child we are seeing is Forever; she even has that determined stare down perfect. Malcolm's callous nature comes out even if the word balloons were to be omitted, but combined with the stellar speech I just praised, makes for a powerful sequence of events. The scene with Bobbie and Michael is also phenomenal, especially with the details of the soon-to-be-devasted house, and Arcas's colors succeed in pushing the already moody atmosphere even further.
Lazarus is also not a book you can just pick up in the middle, but if you are not reading this Donist World favorite, then you are in luck. You can pick up the trade for $9.99 (or less!) which has the first four issues, then pick up this issue, and you'll be all caught up with the rest of us...waiting patiently for the next dose of a world that could come to be. Lazarus is a must-read book for comic book fans who want an intelligent story with striking art while providing a break from the world of capes and tights. VERY HIGHLY RECOMMENDED!


Other Heavenly Items:
Chew #38
Chew #38 - Written and lettered by Jonathan Layman, illustrated and colored by Rob Guillory, color assists by Taylor Wells, published by Image Comics. 22 issues left and counting. I know, I know. I need to stop being fatalistic about this. 22 comic books is still quite a few. Who knows, that's probably like another three years of Chew, which is awesome! I mean, Chew--after The Walking Dead, of course--is what started the whole Image Comics as a force to be reckoned with movement and it has consistently been a fun, disgusting, emotional, angering, hilarious, sad comic that I eagerly await each month(ish). Dang...it's ending all too soon.
Tony down in the dumps. Colby and Cesar plan a jailbreak. Savoy develops a taste for answers. Amelia and Olive got a little somethin' somethin' cookin' up for Tony.
C'mon! Now that's a mean way for the creators to leave us hanging. Man...ugh. Layman and Guillory let us know that their characters are figuring out what caused the bird flu, and what the space fruit is, but us lowly readers gotta suffer for a while longer until those characters are darn ready to divulge. You know what? I wouldn't have it any other way. This series continues to be a just one heck of a good time, and is one that I look forward to rereading--in the form of my three prized hardcovers--over the next month or two. My Christmas wish is that we someday soon get the Chew television show, animated or not, that we deserve. Books like Chew make me proud to be a comics fan. HIGHLY RECOMMENDED!


Batman #26
Batman #26 - Written by Scott Snyder, illustrated by Greg Capullo, inked by Danny Miki, colored by FCO Plascencia, lettered by Steve Wands, published by DC Comics. Okay, this boner boney Doctor Teeth Karl guy is all kinds of shades of horrific. I mean Capullo's Joker was one scary SOB, what with the tie-on face that was his actual face and all, as were the faceless owls who were forever watching...always watching. I thought I would have trouble sleeping for a few years or so, but this freakazoid in the stylish hoodie is enough to keep me up for a decade. <brrrrrrr> That said, I would love to read Snyder's first script description of this character and see how that compares to what Capullo gives us in this book. Anyhow...where were we? Oh yeah, Batman.
Doctor Death, or Karl as he used to be known, is about to kill Lucius, but not if Bruce Wayne has anything to say about it. After barely surviving the encounter, Bruce has a confrontation with Jim Gordon that sheds some light on Gordon's shady past. Finally, while tracking down Doctor Death, the Batman has a run-in with the law.
Snyder and Capullo's consistently excellent Batman is one that has not yet steered readers astray in regard to a well-crafted story with what is the best superhero art coming out of the Big Two--let's not count the "Villains Month" money grab or some of the recent unnecessary price jumps, okay? For this issue, I must point out the spectacular colors from FCO Plascencia, especially on the opening sequence with the lush cool blues/purples bursting from the page against the striking red/magenta backgrounds. The colors on these pages took Capullo's already creepy imagery and completely pushed the atmosphere of the pages to new and exciting depths. If not for the fact that these colored pages scare the pants off of me, I would love to see them hanging on the wall.
Unlike the previous three books this week, if you haven't been reading Batman you could safely jump on board with issue number 25 and then read this issue; you can always go back for the first part of "Year Zero," or "Death of the Family," or "The Court of the Owls," or better yet pick up my personal favorite the pre-New 52 "The Black Mirror,"or even better than that...all of the above! Scott Snyder is the man who brought me back to DC super hero books, and he's the one who keeps me coming back. HIGHLY RECOMMENDED!


Satellite Sam #5
Satellite Sam # 5 - Written by Matt Fraction, illustrated by Howard Chaykin, lettered by Ken Bruzenak, production by Jed Dougherty, cover colors by Jesus Aburtov, published by Image Comics. *Huh...I'm not sure what is up, but MyComicShop.com (where you can support my site by clicking on the link and buying awesome comics from them, which allows me to buy even more books to review!) does not have this book posted up on the site yet, but click the picture to the left to go straight to ImageComics.com to pick this up if you missed it in the store and can't wait.*
The password for this isssue is "BJ...BJ."Michael White (son of the recently deceased Carlyle White who was star of the Satellite Sam television show) and Kara Kelly (another star of the show and former private pin-up girl for Carlyle) are still on the hunt for the women who posed for Michael's father. LeMonde Network president Dr. Joseph Ginsberg is in on--or is it "into?"--his wife's dalliances with Reb Karnes. Guy Roth, writer for the Satellite Sam show gets caught with his pants down...make that caught on film, while Eugene Ford (Techie for the show) finds a potential new starlet...provided he doesn't go to jail for assaulting a nightclub bouncer. Finally, Michael receives a job from someone who knows some potentially frightening details about his father's death.
Satellite Sam continues to be a fascinating character study and period piece as well as a slow-burn crime drama. Fraction's dialogue all rings true to each of the different characters, perfectly capturing the feel of the time. Chaykin is king of the facial expression and that carries through on this title with the character acting that speaks volumes on a couple of nearly silent pages. He also draws a hell of an attractive woman.
I think I am correct in this next statement, but I believe that Dougherty is the equivalent of "colorist" on this title. Since the issue is black and white, he is given the credit of "digital production," which to me means that he is the one providing all of the fine black dots for shading, the unique patterns on each individuals clothing, and the patterns on the backgrounds. This all makes the book absolutely stunning in its final presentation, making it unique in look and style from so many of the other books on the stand. It's gorgeous.
I love this book, but it is not for everyone. Satellite Sam is an adult drama, emphasis on the "adult," and a perfect transition for fans of AMC's television show Mad Men into the wonderful world of comic books. I will say that this story is going for the long form and although I am enjoying reading it in serialized issues, I can see the book reading very well in trades, where you can tackle the book in large chunks at a time. There are many moving pieces on this well-woven tale, and reading on a monthly(ish) basis requires this old Donist brain to warm up a bit to remember what happened in the previous issue. Don't let that discourage you though, who said reading comics had to be easy? Especially when the series is as fantastic as Satellite Sam. HIGHLY RECOMMENDED!


Slice Into the Woods


Technology In the Classroom - Before anyone decides to pummel me with "What's wrong with technology in the classroom, Donist? Kids need to keep up with the rest of the world!" True, true, but the problem isn't that there are tons of schools/corporations/private donors (don't get me started on corporations in the classroom, though) pushing this cause, and that's great. The problem is that most public schools have had their budgets so severely slashed that there is no one to maintain gear such as laptops, thin clients, or the current holy grail of buzzwords, the iPad. Not only do schools not have enough knowledgeable people on hand to prevent the more devious students from intentionally bricking an iPad, or to prevent those kids from messing with an Apple TV all from the comfort of their own iPhone, there are more immediate concerns beyond tech. How about supporting not only the tech side (proper cabling, secure networks, training of staff, having a techie on staff, etc), but supporting the actual infrastructure of the school itself? There's no excuse for a California teacher having to wear a snow parka in the classroom, not to mention the shivering kids, because the heat is "broken" or rather too costly to turn on. Or in the summer having everyone stewing in their own juices. Then there are the ancient student desks that spontaneously decide to call it quits and collapse during class...nothing damages school budgets quite like a lawsuit. If kids are loosing sensitivity in their fingers because of the cold, how well will an iPad in the classroom serve them? Let's fix the infrastructure, support that infrastructure, THEN take a deeper look at technology in the classroom.
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Friday, November 15, 2013

Friday Slice of Heaven, Slice Into the Woods 11/15/2013

(Sung to the tune of Twisted Sister's "We're Not Gonna Take It")

You should read great comics
Yes, you must read great comics
You should read great comics you adore

Strange Nation's great to choose and
Sasquatch, cult, alien confusion
That Rocket Girl's got it goin' on
Batman is way scary, cuz
Doc Death is quite horrendous
Thor God of Thunder, we'll sing your song

You should read great comics
Yes, you must read great comics
You should read great comics you adore


Smiles everyone, smiles and welcome to Fantasy...errrr...welcome to Donist World. I'm joined as ever by Donist World CFO Obie (my friends' Boston terrier) and Donist World marketing director/administrative assistant/party planner/post-apocalyptic preparation specialist Tulip (my dog, Obie's sister). We're kind of laying low today and we've taken to skulking about the house silently, so no one knows we're here. When we do actually have to go outside, we stick to the shadows and hide behind trees and bushes all while gathering vital supplies. Why are we doing this? Well, we've been playing The Last of Us video game--I allow myself one or two console games per year--and the puppies my executive team has been watching me. Needless to say, we are totally freaked the heck out now. We're not yet finished with the game--currently at 89%--and I can say it is one of the best written, best voiced, best acted, visually amazing, and possibly my all-time-favorite game. Thus we crouch and creep around the house, ever mindful to keep clear of any and all mushrooms that...oh, our sausage, olive and mushroom pizza is here for our 11:00 AM meeting on maintaining our Fortune 320,000 status. While we sneak out the back and around the front to be sure the pizza boy is not a clicker, have a gander at this week's...


Friday Slice of Heaven


***Possible Spoilers Below***


Rocket Girl #2
Rocket Girl #2 - Written by Brandon Montclare, illustrated by Amy Reeder and published by Image Comics. You know what, denizens? I'm starting to think it's me. Remember last week how I was talking about how smart Image's titles were, especially with East of West? Well, ol' Donist possibly thunked a wee too hard on the brain thingamajiggies, as I'm not completely certain what happened with the final panel of this fantastic issue of Rocket Girl. So, in an effort to curtail adding additional deposits into the fortune that has amassed in my embarrassment bank, let's call it "foreshadowing of things to come." Anyhow, possible confusion aside, I am very much enjoying Rocket Girl, both the present (1986) and the past (2013). Plus, Donist World fully supports the act of creating, the act of presenting, and the act of consuming pancakes, as seen in the first third of this issue as well as on the dedicated "Pancake" page, here.
Annie and Ryder, two prominent physicists, need to figure out what to do with their new house guest, the "Rocket Girl" DaYoung. In her very brief jaunt to 1986, DaYoung has destroyed a lab--somewhat intentional as it housed the problematic Q-Engine, a time travel enabling machine--caught a bad guy, assaulted a couple of police officers, and has been spotted flying around New York while utilizing technology that should not exist. Oh yeah...she also rescued some construction workers. Back in the past of 2013, we see DaYoung and her fellow detective Leshawn O'Patrick nearly getting caught eavesdropping on an evil large corporation (are there any other types?), the future version of Quintum Mechanics. Back in the present of 1986, trouble finds Annie, Ryder and DaYoung right before we catch a bit of foreshadowing back in the past of 2013.
Okay, now that I have reread the issue...yes, that last panel is foreshadowing. That said, Montclare and Reeder's Rocket Girl is an exceptional read suitable for all-ages. DaYoung is an intelligent, confident, and tough teenage hero who is very much the one in charge, although her "can do" attitude looks to put her at odds with those in authority in both time lines. Montclare has both captions and dialogue fine-tuned with each character having their own distinct voice, especially DaYoung. He also delivers some funny, light-hearted moments that made me laugh before returning to the serious side of the story.
Speaking of comical moments, Reeder's art had me cracking up at times, especially at the beginning of this issue as a grumpy Annie crams pancakes (ahh...pancakes) in her mouth as she pours her coffee; the shower panel was also pretty funny. Then we get to the action of both the past and the future and it's pure beauty. The scenes of DaYoung and Leshawn rocketing about the stunning city are impressive as are the cool costume designs, which are all pushed forward by the gorgeous colors. I simply love how Reeder handles something so mundane as the reflective glass on of the front DaYoung's helmet to the eggshell-like surface on the back; two very different materials handled perfectly. I also dig Annie's hair and the '70s-style logo on the cover that still has me wowing over the warm light reflections and the harsh shadows dancing across DaYoung (check out the cover)...again, this book is beautiful.
I really enjoyed the first issue, which I got through the creators' Kickstarter before the book was picked up by Image, and this follow up succeeded in pulling me in even more. Montclare and Reeder will leave you loving the title character and wanting to linger in the world they have created, both in the present of 1986 and the past of 2013. The next issue cannot come soon enough. HIGHLY RECOMMENDED!


Strange Nation #1
Strange Nation #1 - Written and lettered by Paul Allor, art by Juan Romera, edited by Rob Anderson, published by Monkeybrain Comics. As I mentioned a couple of posts ago with my review of Rex Zombie Killer #1, I know these guys. Allor and Anderson are each members of The Comics Experience and are moderators for their forums and teach an online class. They are also posters for our long-dormant The Brutal Circle site. Juan Romera is the freaking amazing artist who illustrated my story "Timber Tom," which appeared in Indie Comics Magazine #6, which I hope you check out. So, yeah, I know them, but as I said before, if I don't like something, it ain't showing up on Donist World...except maybe in the "Slice Into the Woods" section where I will talk about how Allor stole my dog, done busted up my automobile, and insulted my family's honor many moons ago. Anyhow, Strange Nation #1...
So what does a recently out of work journalist do when she loses her prestigious job at a reputable newspaper? Why, turn to the tabloids and investigate doomsday cults, aliens, and possibly a Sasquatch or two, of course. The problem for Norma Park is that all these things are very much real and are somehow connected. The weirdness doesn't stop there. She also has a partner wrapped up in his own conspiracy theories, and she's investigating a most bizarre individual named Joe. In fact, the only normal thing in Norma's life is the disappoint of her parents, but even they look to have something to hide.
Criminy! This comic's a heck of a lot of fun. Allor begins with the most absurd beginning for a book imaginable--cultists duking it out with a bunch (or is it gaggle or a pod?) of Sasquatch in the woods as lit by eerie visitors from outer space. Now, with a setup like this you would expect the book to be a comedy, and although moments are funny, the book leans heavily on the darker side of humor and remains mostly serious despite what you are actually seeing on the page; just have a look at the final two pages of this issue and you'll know exactly the tone of this series. <brrrrrr> The dialogue and captions all flow perfectly, melding into Romera's artwork, never once taking you out of the moment yet keeping you eagerly flipping pages.
Romera has a knack for handling the bizarre characters in this comic (check out the first image of Joe), and he is fantastic with his sequentials, which gave me the feeling I was watching a film as I went from panel to panel. He can also handle background details as seen on the double-page spread in the lab with its varied creatures, ships and gear. His coloring, of which I am a huge fan, pushes all characters to the forefront of the panel and draw the eye to where he wants you to look. I also must point out that he draws one heck of a sexy, battling, ladybug lady...but let's keep that between us...cool?
Strange Nation #1 is a fantastic start to this recent offering from Monkeybrain Comics, but don't go poking around your LCS trying to find a copy as you won't find one. Monkeybrain Comics is digital only and is offered only through Comixology. I'm guessing that you will one day be able to buy an actual trade of the series once it finishes, but why would you do that? Comixology has this first issue for a measly $.99. That's $.99, denizens! All you have to do is give up one double espresso, pumpkin chai, half-caff, non-fat, whipped cream with sprinkles latte and you will be able to buy the entire series. Trust me, it's worth it. HIGHLY RECOMMENDED!

Other Heavenly Items:
Batman #25
Batman #25 Written by Scott Snyder, illustrated by Greg Capullo, inked by Danny Miki, colored by FCO Plascencia, lettered by Nick Napolitano, published by DC Comics. Shenanigans! I call shenanigans! Last month I suffered from sticker shock from the $6.99 price tag on the issue. BUT issue 24 had 54 pages of material--more than double the normal page count--with a jump of $3 to the price. I call that worth it. This issue, however, is $4.99 for 24 pages of the main story and a side five-page story, bringing the page count to 29 pages, which is $1 extra for only a couple bonus pages. What the what?! We do however get a heavy card stock, grey-on-black cover! For one of DC's best-selling titles, this is kind of a low blow given the book is already at $3.99, not to mention the tons of "Villains Month" issues recently tossed our way. <sigh> I hate to say it, but I'm out and going to trade if next month's issue isn't back to the normal $3.99 price point. All monetary griping aside, this issue was a heck of a creepy good time.
After the Riddler put Gotham City in the dark, the Batman has had a spot of trouble getting around Gotham's finest; thank goodness he has a Batmobile and they don't. What the Batman was investigating was the grisly death of a man whose bones snapped and broke and grew in a chaotic pattern to which the pain must have been unbearable. Now, Bruce Wayne has Lieutenant Gordon snooping around the Wayne Manor grounds, and a trip to an old friend becomes a pain in the neck as Doctor Death makes his appearance.
Holy bat terror, denizens, he did it again. That ending splash page from Capullo will give me nightmares for the rest of my days! FCO Plascencia's colors--although gorgeous on ever page, especially the final splash, only make Doctor Death's visage all the more terrifying. Aghh! Plus, Capullo's bone-growth victims are almost as bad as Doctor Death, but beautiful none the less. One cool thing I liked about this issue was the Wayne and Gordon exchange where there was little to no background aside from a muted brown haze, which succeeded in putting all the focus on the two men and their discussion.
Where Synder is concerned, I would love to see the script for this issue and read how much direction, if any, he provided Capullo on this new horrific villain. I'm also curious to know where he comes up with all of these twisted ideas. I've "met" Snyder before on a web chat once to go over a comic script I wrote, and he is one of the nicest most helpful people I've ever met, which is interesting given that for someone so generous and kind, he can sure write some truly disturbing material. You know, total creepoutville stuff that is sure to stick with you for some time. Besides giving us frights, you also have the wonderful dialogue and captions this book is famous for.
To summarize: I'm a little messed up after some of the things I saw in this issue, and I cannot thank these creators enough for adequately giving me the heebie jeebies. Batman continues to be a fantastic superhero comic and if the powers that be would stop messing around with unnecessarily inflated pricing, cover gimmicks, and costly "events," and allow the creators to continue making damn-fine comic books, then readers like myself will be thankful for it. HIGHLY RECOMMENDED!



Thor: God of Thunder #15
Thor: God of Thunder #15 - Written by Jason Aaron, illustrated by Ron Garney, colored by Ive Svorcina, lettered by VC's Joe Sabino, published by Marvel Comics. After catching Thor 2: The Dark World last week, it's safe to say that I am even more jazzed for Thor: God of Thunder than I was before. Let me tell you, denizens, I was already pretty jazzed.
The League of Realms travels to Alfheim to a shantytown deep in the Sugar Woods, where they find fairies and joy and candies aplenty. This is nice...unless, of course, you are in pursuit of the homicidal dark elf Malekith and his murderous followers or if you are a troll obsessed with cleaving said dark elf in twain. Thor discovers a couple of creative ways to get the League to work together, but his efforts are halted when Malekith attacks and a member falls. Things go from bad to worse when the dark elf fugitive reveals his new allies.
Aaron takes a more humorous approach after exploring much darker topics over the previous 14 issues and to great effect. Moments of this issue were simply ludicrous (a dwarf murdering a dark elf with a candy cane), but I smiled the whole way through. The humor also brought me around to many of these new characters, but I was a bit dismayed that the Leaguer killed in this issue was one I was hoping to see more of...the character did however have his/her moment to shine as brief as that moment was.
Garney's art is beautiful as ever, although there are a handful of panels that seemed a bit rushed and not as detailed as in the previous issues, but this is minor point. The action in the sequentials and the character drama are incredible. Svorcina's colors are gorgeous and he makes a point of pushing the brightness and the saturation of Alfheim to the limit, which is a marked departure in what we saw in the "God Butcher" arc's deep blues of the cosmos, but no less effective.
With a huge battle set for next issue and the stakes increased, I can't wait to see what comes next. If you enjoyed the recent Thor movie as much as I did, then picking up this title (and the two issues before it) is an easy decision to make, verily easy. RECOMMENDED!


Slice Into the Woods


My Fellow Theater Patrons -Okay, yup, I saw Thor 2: The Dark World and I absolutely loved it. I will even go so far as to say I liked it more than the first movie. I will admit, though, that it took me about 20 minutes to get into the groove, but once there I loved the film. Maybe some of my surly attitude came from two of my fellow theater goers.
Take for instance the guy who came in, sat at the top middle of the aisles and proceeded to unpack and pack things from his plastic grocery bags. During this idiot's continuous shuffling, I caught the scent of lasagna and maybe fried chicken, but the dude went to town on his lunch right there in the theater for the entire movie. Why couldn't he eat at home? Or unpack his troughload of food before the movie started? Criminy, it's not like we are all sitting in this fool's living room.
Then there was the other guy who came into the movie late, and was lumbering about the theater trying to find the perfect seat--it was the 1:30 PM screening, there were PLENTY of empty seats--and then he started heading my way. Granted, my corner was dark, quite dark, but right as I was about to say, "Someone is sitting here," he took out his iPhone, turned on the piercing LED light, and trained it squarely on the retina of my left eye. He apologized and I would like to think that he gave a sigh of relief that he didn't see any cataracts or anything, but, man, how hard is it to take an empty seat among a sea of empty seats or to eat your nine-course meal prior to the screening of Thor 2?


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Friday, June 14, 2013

Friday Slice of Heaven, Friday Slice Into the Woods 6/14/2014

(Sung to the tune of Juice Newton "Queen of Hearts")

Alright,
and I've been shafted on Stuff of Legend
Hoping it's a floating with my missing copy of Rachel Rising

Whatevs
There's plenty in my pull
Gods of Thunder pummel killers
As ol' Bats gets a journey back in time

Black Beetle's near'n dear to my heart
This masked man is pretty smart
The Joker ain't the only fool
Labyrinto's darn cool, it's true    

Donist won't tell you a lie,
Pick up this book about crime
Ryan Browne's book is mental, too
Best buy it if it's the last thing you do


You already know what we're doing here in my mom's basement at Donist World corporate headquarters. Knowing what day it is, you can only guess the mood around the office. Yes, denizens, it is Man of Steel day. The emotional sound stylings of Hans Zimmer's gorgeous soundtrack is coursing through the halls as CFO Obie (my friends' Boston terrier),  marketing director/administrative assistant/party planner/motivational speaker Tulip (my dog and Obie's sister), and I walk with purpose and determination across the shag carpet covered floor and <arrrgh> <ouch> <ouch> <ouch> who left the dang laundry basket in the middle of dang floor?! We were doing our Man of Steel walk through of the office for cripe's sale. We even have red sheets tied around our necks--okay, the dogs have red pillow cases tied around their necks, but whatever, and NO, they are not the "good" sheets. How many Fortune 320,000 companies have to deal with a dang laundry basket sitting in the middle of the dang floor?! Dagnabbit, I almost broke a dang toe! <grrrr> Anyhow, I already know I'm going to have to break it to the Donist World upper management team that they are NOT going to be allowed in the theater, just like they have never been allowed in ANY of the movies that have ever come to town. But for a couple of comic book loving Boston terriers, the S does stand for hope. I'm guessing that the orangish mess that is dyed onto Obie's white furry chest is exactly that symbol of hope that he and Tulip need. A hope that they will rise above their stations to become more than just business dogs. To become more than superfans. To ultimately be granted equal rights to attend a movie that means so very much to them. A hope that...yeah, not a chance in hell. I'm still going though. At least they have this great soundtrack to keep them busy until the blu-ray release. So denizens, since we have some time before the movie starts, take a little gander at...


Friday Slice of Heaven


***Possible Spoilers Below***


The Black Beetle:
No Way Out #4
The Black Beetle: No Way Out #4 - Everythinged by Francesco Francavilla, published by Dark Horse Comics. Darn the daily grind. DARN IT, I say. This past Tuesday, Mondotees.com  had a The Black Beetle poster by Francesco Francavilla set to become available at a random time, with availability starting at the mere send of a Twitter message. This is one poster I had to have: 1) because it's a poster created by one of my favorite artists, and 2) because it concerned one of the coolest new characters to come out of comics for quite some time. Needless to say...I didn't get it. The little puppies sold out in less than five minutes and the most discouraging part is I might have had a chance if my day job didn't have lead shielding, or whatever it is, preventing me from receiving phone calls and text messages. I expected this, so I had the MondoTees site on my work computer, up and raring to go...but then someone came by who expected me to actually help them with something or other and next thing you know...poof...gone in 300 seconds. So I would like to take this moment to say, "Thanks, Karl in accounting. Glad I could help point out the bleedin' obvious, that the PO# was indeed printed clearly on the invoice. Also, thank you so very much for regaling me with tales about the your son--your 'little guy'--and thanks for the discussion about bacon-maple bars--of which you did not share any. It was one of those discussions that most likely sunk my chances at getting a copy of this poster. So, let me raise my coffee mug to you, Karl in accounting, and here's a lovely picture of the blank wall where I can forever imagine my missing The Black Beetle poster. Yes, Karl in accounting, yes. I am speaking with sarcasm. Much sarcasm." <sigh> Well, I might not have this oh-so-sweet poster, but what I do have is the final chapter in the actual mini-series that made me so excited about the poster to begin with. Let me tell you, denizens, it's a doozie.
The mysterious Black Beetle has it figured out. He knows it was Labyrinto who murdered all of the members of Colt City's most notorious crime families and he now knows the secret identity of the maze man after last issue's trip to the morgue. He also knows Labyrinto was not working alone and that both men are out at the Fierro Estate--Camp Creek. The Black Beetle conducts a little chin music on the local thug talent pool, and comes face to corpse to face with the men behind the mobster murders. With one man dead and Labyrinto and Black Beetle the only ones left standing besides the dead man's bodyguards, only one person will be leaving Camp Creek alive, at least that is what our hero believes.
Hot dang, denizens, this was one heck of fun noir/mystery book. Francavilla went for a very specific look and tone for his story, and he achieved both with flying colors--or rather dark and moody flying colors. After a "0" issue and these past four issues, we still do not know the identity of the Black Beetle or what pushed a man to become a costumed vigilante. This is fine. We don't need to know more about him yet, and the truth is we might never know; it's all part of the intrigue of the character. Francavilla gives us a man who wants to set things right by any means, and who also is driven to uncover the truth of the crimes he investigates. It's almost a one man, adult version of Scooby Doo--which was a play on the noir/mystery thrillers of old anyways. You have our sleuth staying one step ahead of both the reader and the antagonist, and after he finds that one telltale clue, he solves the mystery. Our hero explains what the villain was doing, and where they went wrong. The villain then describes what pushed him to such ends, before he succumbs to his own machinations. It's not a storytelling style we're used to seeing in hero comics nowadays, but it's one that Francavilla succeeds in making work.
The art is of course beyond compare as Francavilla's use of color pulls the reader's eye through each of the panels. Page five and six are a perfect example with the Black Beetle's red lenses and insignia jumping off the page against the contrasting blue of the night sky. The same holds true for Labyrinto as his yellow costume stands against the blue darkness and the red curtains of the room as he confronts our hero. Even without Francavilla's striking colors, his line work and storytelling are without compare as you are gracefully led from panel to panel. Each component of this book is masterfully done, with the end product being something amazing to behold.
The Black Beetle is a must-own book, denizens, doubly so if you are a fan of old noir books and film, or if you are a fan of the vintage heroes. If you have not bought any of the issues for this series thus far, and you are a completist like me, then you might want to hold on until late September when a $19.99 cover price hardcover collection is released. The reason is if you don't already own the "0" issue, then I'm afraid you're in for one heck of a challenge to get ahold of it since it sold out almost immediately (like the dang poster)...unless you got the cheddar to spare of course. Yes, there is digital for the "0" issue, but c'mon...this is one series where owning the actual paper version is well worth the effort. To be honest, I'm probably going to double dip on this one and pick up the hardcover while I eagerly await the arrival of the next chapter, The Black Beetle: Necrologue. I'm still salty about missing out on the poster, and even more so after seeing multiple listings on ebay for ~$150, but this issue and the series as a whole come HIGHLY RECOMMENDED!


Thor
God of Thunder #9
Thor God of Thunder #9 - Written by Jason Aaron and illustrated by Esad Ribic, published by Marvel Comics. Okay, since the previous review started with something other than book itself, let's continue the trend. After reading this issue of Thor God of Thunder, I wish to Asgard that my dogs had not eaten my old '70s Mego Thor doll when I was a kid. On top of that, I wish my dogs had not eaten my replacement doll, too--they also ate a Lizard Man, a Thing, and two Iron Man dolls; man, my dogs were a couple of dumb jackfaces. If my dogs--Charlie and Rusty if you wish to know--had not eaten my Thor Mego doll, I would be pulling the figure from storage and putting him on display, much to my wife's chagrin, for all to know my renewed love of the God of Thunder. Aye, denizens, this issue was that good. Verily so.
We open with Gorr the God Butcher, the diabolical killer who skulks onto the page to...briefly show his gentler side. However, the scene is short lived as the three Thors appear above the Black World and Gorr rushes to meet them. A fierce battle erupts. Three Thors are better than one, as they pummel the killer of gods almost to his knees, but the victory is stalled when Gorr commands his minions of darkness to slay his godling slaves, giving him enough power to vanquish his foes. Darkness falls on the three Asgardians who are one.
Fisticuffs. A jolly good donnybrook. One heck of an ass whuppin'. Whatever you want to call it, this issue was predominantly one long fight scene, but is this a bad thing? I say thee nay, denizens! Fight scenes are a pain to pull off, but Aaron does so with ease. We've all seen movies and comics where a fight is just plain too ridiculous and over the top, but what makes this one actually work? You know, like the six minute fight scene in They Live (I wrote something weird about it back in 2010 here)...I'm only partially kidding here. Aaron has taken eight solid issues to build the stakes and deliver three fully developed versions of our hero that are so clearly different from one another, yet you can still tell they are the same person only at different levels of maturity. We've seen what they are up against and the odds are bad, but when the three attack Gorr, we are given a glimmer of hope. I had my moments of "Ooooo" and "Aaaahh" as All-Father Thor blasted the bejesus out of the serial killer of gods and young Thor rode a space shark (no, I am not joking) into battle. Then Aaron pulls the rug out from under us and things get bad. Then they get worse. On the final page, after a roller-coaster battle, we are stunned and defeated and more than anything desperate to know how our heroes are going to pull themselves out of this one.
Ribic's art has never been stronger. His sequentials during this fight scene had me burning through each panel and whipping through page after page. He also has brilliant character moments, such as the look on modern Thor's face after Gorr has impaled his side. There is such anger and determination in that single panel that we understand why Thor is such a heroic force of nature in the Marvel Universe, and when he actually falls, we are shocked. Ive Svorcina's coloring is stunning, especially when depicting the cooler tones of space and in the moments he allows Ribic's pencils to partially show through when Gorr uses his creepy powers. Never was there a book more suited to these two than Thor...with the exception of a Conan book or two.
I have been enjoying Thor God of Thunder since the first issue, and although this was predominantly one long fight, it was one of the strongest issues to date. If you have not been reading Thor, then get thee to thy LCS so you can experience one of Marvel Now's best titles. July can't come soon enough. HIGHLY RECOMMENDED!


Other Heavenly Items: 
God Hates Astronauts HC
God Hates Astronauts - Everythinged by Ryan Browne, published by Ryan Browne. I'm only putting the triumphant glory that is the God Hates Astronauts HC (click on the image to buy directly from Mr. Browne) in the "Other Heavenly Items" section because I really do not know how to explain this book to you. I don't. I can't. If I tried to explain what this book is about, I would only end up writing a page by page synopsis that would only be a poor substitute for the actual beautiful artwork and psychotic story. Need an example? Okay, I just randomly flipped to page 58, where we see the Hall of Justice and judge Buffalo William (a buffalo-headed judge) is singing Ah-Ha's "Take On Me" before being announced by the creepy Mummy Bailiff. You get it now? Me either, but every single page in this exceptionally produced book is right along those lines. Describing GHA is like trying to explain how last summer I saw a Sasquatch playing squash at an uppity resort on an island in Lake Erie. Unless I take about thirty pages to properly explain that one 30-second moment, you aren't going to get it; you had to be there. The same holds true for God Hates Astronauts.
I strongly urge all denizens unfamiliar with this book to go to the God Hates Astronauts site where you can read the entire story online for free. Start at the beginning and you will see just why this is such a highly revered comic. Now that you hammered through the entire story, go buy the actual book and support the creator. The physical book contains a bunch of one-page origin stories and loads of other bonus material not found on the website.
The reason you can actually purchase this book at all is because of the highly successful Kickstarter campaign where Browne asked for $15,000 and secured $75,000 by the time all was said and done. That there is some serious cheddar! I had faith in this book and 1767 other backers had faith in this book, so please check out the free webcomic and then buy a copy so we hopefully get our grubby mitts on a volume two someday. Aight?! VERY HIGHLY RECOMMENDED!



Batman #21
Batman # 21 - Written by Scott Snyder and illustrated by Greg Capullo, published by DC Comics. Oh no...an embossed cover. You know what that means...holofoil, glow-in-the-dark, polybags, and their ilk can't be far behind...<cough> Villain Month <cough> extra buck per issue <cough>. Now with the New 52 going on its second year, we receive an origin issue for Batman. Now, now, settle down. I know there've been a bunch of origin tales for the ol' Caped Crusader, but this one just so happens to be held in Snyder and Capullo's loving arms. It's going to be okay, and dare I say it's pretty darn good.
We start with a look six years in the past and some mysterious foe has "killed the city," but Batman is still alive and eager to settle the score. Five months earlier, a disguised Bruce Wayne tangles with the deadly Red Hood while attempting to keep up the rumor that Bruce Wayne is no longer among the living. Alfred expresses his concerns, Bruce blows him off, and a long lost uncle spots Bruce on the street. Unknown to Bruce, Uncle Philip is spending time with an interesting business partner, one who wishes to see our favorite bazillionaire dead. There's also a short, co-written with James Tynion IV, where teenager Bruce learns to really drive a car.
Another solid story. Snyder leaves me very curious to learn what happened to Gotham city, and Capullo (of course) brings the comic alive, especially on the gorgeous first four pages. We all know Batman's story, but Snyder and Capullo look to give us an interesting look at the Bat in his younger years, and with creators of this caliber, you know it's going to be good. RECOMMENDED!


Slice Into the Woods


<Sniffle> I Just Want My Rachel Rising #16 and My Stuff Legend The Toy Collector #5 - <sigh> Oh the pain...the PAIN!
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